The crown jewel of this record is the final track, “Well Rested,” which is the longest Kero Kero Bonito song to date, lasting about 7 minutes. The song itself ends somewhat abruptly, and more could have possibly been done with the lyrical content, but it’s a solid track nonetheless. There’s a distinct chord shift in the second verse, which lyrically delves into watching the world change in real time, most probably for the worse. However, unlike other media that has come out in the past year talking about the pandemic, this song takes a uniquely bittersweet approach, describing the effects of being closer with one’s family after being trapped inside their house, and seeing other individuals in the community try to replicate some form of normalcy. The song itself is an ode to the global quarantine that the world plunged itself into in 2020, the title being a reference to the date when lockdowns started. Sarah Bonito’s voice sounds uniquely soft and whispery on this track, in stark contrast to Civilisation I and especially to their last LP, Time ‘n’ Place. It’s more reminiscent of Kero Kero Bonito’s earlier work, being extremely chipper and cheerful in tone. “21/04/20” is a track that’s extremely low-key and calm compared to the other two tracks on this EP. It serves very well as an introduction to the musical themes of the EP, and points toward the more inventive lyrical areas that the band ventures into later on the tracklist. There’s a specific point in the beginning of the track where Sarah Bonito’s voice is sampled and mixed into a new melody, and that leaves a lasting impact on the listener, as well as the wall of sound that the synthesizer solo creates toward the latter half of the track. The track is very upbeat, which couples with the story quite well and confers a rather mystical feeling. The track shows a distinct storytelling skill that previously hadn’t been exhibited by Kero Kero Bonito, and which most fans would probably hope shows up on later work.
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The first track, “The Princess and the Clock,” teased this EP earlier this year, telling an interesting, almost mythical story about a cursed princess trapped in a room, painting pictures and figuring out how to free herself. While it does feel a bit quick, it leaves the listener anticipating whatever release Kero Kero Bonito has coming up next. Its sound, while similar to Civilisation I, is distinctly more blissful and serene, and the lyrical content of the EP feels much more focused. Pre-order it here.Kero Kero Bonito’s newest EP, Civilisation II, is a worthy successor to their magnificent 2019 EP Civilisation I and builds upon the themes that were previously illustrated in that work. Listen to “The Princess And The Clock” above.Ĭivilisation II is out 4/26 via Polyvinyl.
It’s a song for anyone who has ever felt trapped, lost and alone.” A legend of our own invention, ‘The Princess And The Clock’ was written before Covid emerged, though the long, lonely hours and escapist dreams its protagonist experiences will be relatable to many right now. Trapped in her chamber, she spends years dreaming of escaping, until one day she disappears. “‘The Princess And The Clock’ is the tale of a young explorer who is kidnapped while sailing the world, imprisoned at the top of a tower and worshiped as royalty by an isolated society. Speaking about “The Princess And The Clock,” the band said they wrote a fable to serve as inspiration: The upcoming three-track project was recorded using entirely vintage hardware and was inspired by art-pop pioneers like Kate Bush and Björk. Sharing the single exuberant “The Princess And The Clock,” Kero Kero Bonito officially announce their Civilisation II EP.
Now expanding on the same concept, Kero Kero Bonito return to tease a new era of music. A year later, they returned with the slow-burning, climate change-inspired EP Civilisation I. It’s been nearly three years since Kero Kero Bonito released their buoyant album Time ‘N’ Place.
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